Review: Aziz Ansari, in ‘Master of None,’ Negotiates Technology and Social Mores. Dev — an aspiring actor whose career highlight is a Go- Gurt commercial — is a version of the same guy, but made more complicated and placed in the world of actual problems. Photo. Aziz Ansari plays an aspiring actor in the Netflix original series “Master of None.”Credit.
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K. C. Bailey/Netflix The premiere introduces us to Dev’s maybe- girlfriend, Rachel (Noël Wells), and his pals Arnold (Eric Wareheim), Brian (Kelvin Yu) and Denise (Lena Waithe) as they notice others in their circle having kids — the ultimate permanent choice. If the series stayed in this mode, it would be a fine version of the kind of urban- singles hangout comedies that have multiplied like pour- over- coffee joints in Brooklyn.
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But in “Parents,” the second episode — which, I changed my mind, is actually the best — “Master of None” reveals greater scope and ambition. It flashes back to the immigrant stories of Dev’s parents (Mr. Ansari’s real- life mother and father, Fatima and Shoukath Ansari, scene stealers both), who left India, and Brian’s father (Clem Cheung), who left Taiwan. These parents came to America so their kids would have the options that now torment them.
Dev’s parents have an arranged marriage; he has Tinder.)Simply having this amount of diversity on screen allows nuances impossible in a typical culture- clash setup, which would show one family or the other in contrast to the dominant white culture. Here it’s all about the two families, East Asian and South Asian, teasing out their similarities and differences in a way we rarely get to see.“Master of None” satirizes the usual sitcom practice of ethnic casting in “Indians on TV,” the season’s best episode. For real this time. My fingers were crossed before.) When Dev competes with a friend for the designated Indian- American role on a TV pilot — because, a network executive says, “There can’t be two” — it sets off an encyclopedic, hilarious look at Hollywood’s history of stereotypes, forced accents and brownface. Another of Dev’s actor friends, crushed to learn that an Indian character in the movie “Short Circuit 2” was really played by Fisher Stevens, asks, “Is Mindy Kaling real?”)Mr. Ansari and Mr. Yang have built a show that’s both binge- worthy and graze- worthy, basing episodes on single, strong concepts, but structuring the season around the love- story arc.
Ladies and Gentlemen” (also excellent; may I change my mind again?) contrasts the everyday harassment women experience with the happy bubble that men occupy. Dev and Rachel compare the Instagram comments they get for posting a picture of the same frittata; he gets “Yumtown! Population: Dev,” while she gets an NC- 1. Mornings,” which may be the season’s high point (I give up), condenses months of the couple’s relationship into a half- hour as passion cools into routine and doubt.“Master of None” is not like much else on TV, but it’s closest in spirit to Louis C. K.’s humanistic “Louie,” with its filmic look, rewardingly meandering storytelling and empathy for a broad range of other lives.
Mr. Ansari’s show is less experimental, and his outlook more upbeat. But watching it recalls the thrill, in the first season of “Louie,” of seeing an already funny comic find a new gear and new depth.
Mr. Ansari shows true acting range here, making Dev a 3. And his commitment to building comedy on ideas — this year he published “Modern Romance,” a dating guide based in social- science data — pays off without showing off. One clear influence Mr. Ansari has cited is “The Paradox of Choice,” the Barry Schwartz book that argues that too many options lead to dissatisfaction. As for the five- star tasting menu that is “Master of None,” just dive in.
There’s hardly a second- best taco in the bunch. Continue reading the main story.