The Monkees (TV series) - Wikipedia. The Monkees is an American situation comedy that aired on NBC from September 1. March 2. 5, 1. 96.
The series follows the adventures of four young men (the Monkees) trying to make a name for themselves as a rock 'n roll band. The show introduced a number of innovative new- wave film techniques to series television and won two Emmy Awards in 1. The program ended on Labor Day 1.
Saturday morning repeats (CBS and ABC) and syndication, as well as overseas broadcasts; it later enjoyed a 1. MTV aired reruns of the program in 1. Overview[edit]The series centered on the adventures of the Monkees, a struggling rock band from Los Angeles, California consisting of Micky, Davy, Michael, and Peter. The comic elements of the storyline were provided by the strange encounters that the band would have while searching for their big break. Production[edit]Conception and casting[edit]In the early 1.
Bob Rafelson and Bert Schneider had formed Raybert Productions and were trying to get a foot in the door in Hollywood. They were inspired by the Beatles' film A Hard Day's Night and decided to develop a television series about a fictional rock and roll group.[1] Raybert sold the series idea to Screen Gems in April, 1. Paul Mazursky and Larry Tucker completed a pilot script by August entitled "The Monkeys".[3] Rafelson has said that he had the idea for a TV series about a music group as early as 1. Trade publications Daily Variety and The Hollywood Reporter ran an ad on September 8, 1. Folk & Roll Musicians- Singers for acting roles in new TV series." As many as 4.
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Fourteen actors from the audition pool were brought back for screen tests,[5] and Raybert chose their final four after audience research. Micky Dolenz, son of screen actor George Dolenz, had prior screen experience under the name "Mickey Braddock" as the 1. Circus Boy series in the 1. He was actively auditioning for pilots at the time and was told about the Raybert project by his agent.[4]Englishman Davy Jones was a former jockey who had achieved some initial success on the musical stage, appearing with the cast of Oliver! The Ed Sullivan Show the night of the Beatles' live American debut.
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He was appearing in Columbia Pictures productions and recording for the Colpix record label and had been identified in advance as a potential star for the series.[3]Texan Michael Nesmith's mother Bette Nesmith Graham had invented a correction fluid and founded the company that became Liquid Paper. He had served a brief stint in the U. S. Air Force and had also recorded for Colpix under the name "Michael Blessing." He was the only one of The Monkees who had come for the audition based on seeing the trade magazine ad.
He showed up to the audition with his laundry[4] and impressed Rafelson and Schneider with his laid- back style and droll sense of humor. He also wore a woollen hat to keep his hair out of his eyes when he rode his motorcycle,[6] leading to early promotional materials which nicknamed him "Wool Hat." The hat remained part of Nesmith's wardrobe, but the name was dropped after the pilot.[6]Peter Tork was recommended to Rafelson and Schneider by friend Stephen Stills at his audition.[4] Tork was a skilled multi- instrumentalist who had performed at various Greenwich Village folk clubs before moving west, where he worked as a busboy.[4]Development[edit]Rafelson and Schneider wanted the style of the series to reflect avant garde film techniques—such as improvisation, quick cuts, jump cuts, breaking the fourth wall, and free- flowing, loose narratives—then being pioneered by European film directors. Each episode would contain at least one musical "romp" which might have nothing to do with the storyline. In retrospect, these vignettes now look very much like music videos: short, self- contained films of songs in ways that echoed the Beatles' recent ventures into promotional films for their singles.
They also believed strongly in the program's ability to appeal to young people, intentionally framing the kids as heroes and the adults as heavies.[7]Rafelson and Schneider hired novice director James Frawley to teach the four actors improvisational comedy. Each of the four was given a different personality to portray: Dolenz the funny one, Nesmith the smart and serious one, Tork the naive one, and Jones the cute one. Their characters were loosely based on their real selves, with the exception of Tork, who was actually a quiet intellectual. The character types also had much in common with the respective personalities of the Beatles, with Dolenz representing the madcap attitude of John Lennon, Nesmith affecting the deadpan seriousness of George Harrison, Tork depicting the odd- man- out quality of Ringo Starr, and Jones conveying the pin- up appeal of Paul Mc. Cartney. A pilot episode was shot in San Diego and Los Angeles on a shoestring budget—in many scenes the Monkees wore their own clothes.
Initial audience tests (which were just then being pioneered) produced very low responses. Rafelson then re- edited the pilot and included some of the screen tests, to better introduce the band members to viewers. Dolenz was credited in this pilot as "Micky Braddock.") The re- cut pilot tested so well that NBC placed an order for two seasons of episodes. The edited pilot was broadcast November 1. Dolenz credited under his real last name, as for all other episodes.)Filming[edit]The Monkees debuted September 1. NBC television network.
The series was sponsored on alternate weeks by Kellogg's Cereals and Yardley of London. The series was filmed by Screen Gems, and many of the same sets and props from The Three Stooges short films made by the studio were used on The Monkees: A pair of pajamas with a bunny design on the front that had been worn by Curly Howard in shorts such as Cactus Makes Perfect and In the Sweet Pie and Pie were the same ones worn by Peter Tork in various episodes such as "A Coffin Too Frequent" and "Monkee See, Monkee Die".[8]To reduce noise on the set during filming, any of the four Monkees who was not needed in front of the cameras was locked into a converted meat locker.[citation needed] In DVD commentary, Tork noted that this had the added benefit of concealing any marijuana use that might be going on, although he admitted that he was the sole "serious 'head'" of the four of them. In the 1. 98. 0s, Tork gave up alcohol and marijuana use and has volunteered time to help people recovering from alcoholism.) In a studio outtake included in the 1. Headquarters, Nesmith quips, before launching into "Nine Times Blue": "Only difference between me and Peter is I'm just stone legal."[clarification needed]Due to the loosely scripted nature of the series, some episodes would come in too short for air. The producers decided to fill time with various "extras", including the Monkees' original screen tests and candid interviews with the group (conducted by Rafelson off- camera); these interviews usually lasted one minute, hence the frequent joke, "We're a minute short as usual," though the episode "Find the Monkees" featured a three- minute epilogue interview (in which the Monkees gave their opinions on the then- recently- occurred Sunset Strip curfew riots). Although the early episodes contained a laugh track, which was standard practice at the time, the show eventually did not add one, and most of the episodes from Season 2 had no canned laughter.
NBC later cited that as one of the reasons for canceling the series.[9]The theme song to The Monkees, "(Theme from) The Monkees" (released as the single in some countries) in 1. The line "We're the young generation, and we've got somethin' to say" reflected the new youth counterculture and their desire to give their own opinions on world events and choosing how to live their own lives instead of abiding by the traditions and beliefs of their elders.[citation needed]The Monkees' "pad"[edit]The Monkees resided in a two- story beach house. The address varied in different episodes. Beechwood in “Your Friendly Neighborhood Kidnappers”1. Malibu, Calif. in “Too Many Girls”1. North Beechwood according to Davy in “The Case of the Missing Monkee”1.
North Beechwood Drive, Hollywood, CA according to the telegram in Head. The address 1. 33. North Beechwood Drive, Hollywood, CA was frequently given in 1.
Magazine as an address to contact Screen Gems and/or The Monkees. The front of the first floor was a combination of the living room, dining room and kitchen.
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